People Tell Me I Look Like Han Solo.
Friday, May 21, 2010
  Fire and Ice, Looney Tunes making comebacks

Ain’t It Cool News is reporting that Robert Rodriguez has acquired the rights to remake the 1983 animated cult babes-and-barbarians film Fire and Ice, a product of the minds of maverick animator Ralph Bakshi, legendary (and recently deceased) fantasy artist Frank Frazetta, and comic writers Gerry Conway and Roy Thomas. Apparently Rodriguez is planning to make the film live-action, though presumably with heavy use of green screen like he did with Sin City. It sounds like the deal is pretty recent, so there’s no information on casting or release dates, but as a guy who grew up a fantasy nerd (and Fire and Ice fan), I’m pretty excited about this news.

I was actually considering doing a column about Frank Frazetta’s passing a few weeks ago after his death at the age of 82, tying it into movie via Fire and Ice. I picked up Blue Underground’s remastered DVD a few years ago purely for nostalgia reasons (while cheesy as hell, I must admit that the film held up far better than I expected it to), partly because of an awesome documentary on it about Frazetta called Painting with Fire. It’s a really great doc, one of the better DVD extras I’ve seen. Frazetta, in case you don’t know, gained fame in the 60s for his paintings of classic pulp characters like Conan the Barbarian and Tarzan (as well as lesser-known cult characters like John Carter of Mars – soon to be a live-action film itself), and his artwork on the covers is actually credited with the success of the Conan books (if I recall correctly, Conan made his debut in the 1930s, but it wasn’t until the Frazetta-cover paperbacks started coming out decades later that the character really caught on in a major way with readers, and to this day Frazetta’s visual interpretation is the most universally-recognized version of the character). Even if you don’t know him by name, you probably recognize Frazetta’s distinctive style, which has been seen in everything from book and magazine covers to posters to album covers. He was an incredibly talented guy who’s impact on genre fiction in any medium really can’t be overstated. It’s a shame he won’t be able to see Rodriguez’s take on Fire and Ice, but in the AICN story he says he was in discussions with Frazetta about the project right up until his death on May 10.

Anyway, suffice it to say that the more I hear about Fire and Ice, the more you will.

* * *

Warner Brothers is reintroducing its Looney Tunes characters with a new 26-episode animated series set to air on the Cartoon NetwoLearning lessons in futility....IN 3D!rk in the fall, but unfortunately it has a silly sitcom-y premise (Bugs Bunny and Daffy Duck as odd-couple roommates with the other characters their neighbors? Ugh.) The far more interesting piece of information, to me at least, is that WB is also making a series of 3D shorts Road Runner to air in theaters before movies. I grew up a huge Looney Tunes fan (the Road Runner ones were always among my favorites), so this is far more interesting to me. The first short, in which Wile E. Coyote will fall off cliffs and get brained by anvils (in 3D!) will hit cinemas on July 30, ahead of Cats and Dogs: The Revenge of Kitty Galore. Naturally, I’d be more excited if these shorts were airing ahead of movies I actually want to see, but sometimes you’re the Louisville Slugger, and sometimes you’re the ball.

previous post

Labels: , , , ,

 
Thursday, May 6, 2010
  Kick-Ass director for X-Men prequel

So apparently Matthew Vaughn, who directed the excellent and fun superhero movie Kick-Ass (check out my review here) has signed on to direct the prequel X-Men: First Class for Fox. This is sort of odd news for a couple of reasons, one being that Vaughn was attached to direct X-Men: The Last Stand for the studio for months before bailing, apparently because he wasn’t comfortable with Fox’s budgetary and time restrictions. (Fox has a reputation for less-than-respectful treatment of genre properties like comic book movies, often rushing them into production on unrealistic schedules, and the result is crap like The Last Stand and X-Men Origins: Wolverine.) And here, again, Fox is rushing First Class into theaters for next summer, despite not having a cast lined up. So it looks like Vaughn has just agreed to the exact scenario he bolted from just a few years ago.

Now, I loved Kick-Ass (see the aforementioned semi-fawning review), and as a lifelong comic book nerd, no property is closer to my heart than the X-Men franchise, so this should be good news. But given that Fox’s filmed mutants peaked with the brilliant 2003’s X2: X-Men United, the two films released since then with the X brand were each worse than the last. I’m confident (hopeful?) that Vaughn has a plan and will bring his considerable game to Marvel’s beloved mutants, but there’s no trend in genre movies right now that annoys me more than prequels, and that’s the other major strike against X-Men: First Class. I, an avid X-Men fan, have absolutely zero interest in a movie about the X-Men in their teen years (especially if, as rumored, Wolverine is involved, which messes up the continuity of the movies; that’s just a cynical money-grab if I’ve ever heard of one), and as dramatically rich as the Professor X/Magento relationship is, I’m nowhere near as fascinated with it as original X-Men and X2 director and First Class producer Bryan Singer seems to be. (Has someone told him that people want to see X-Men movies about the X-Men, as opposed to X-Men movies about two old guys who used to be friends but aren’t anymore?) I don’t need to see an entire movie about how Charles Xavier and Magneto’s friendship fell apart while a bunch of little plastic people from the CW run around in the background pretending to be the X-Men.

I try not to prejudge movies, but really, I should be excited about another X-Men movie, especially one directed by the guy who made an awesome superhero movie that I believe will go down as a major cult classic. But I’m not. Instead I’m getting a rushed prequel (I’m seriously so filled with vitriol about Hollywood’s obsession with prequels that I’ll have to revisit in for a future column) featuring a story that no X-Men fan that I know feels needs to be told in a movie.
More on X-Men: First Class as it develops. If for nothing other than spite.

* * *

One last thing for the day, just so I don’t end it on an angry rant. Here’s the trailer for The American, which stars George Clooney as a withdrawn hitman who crafts his own weapons and takes the infamous One Last Job in a small Italian town. But it’s neither Clooney nor the hitman premise that has me so interested to see this movie, but rather director Anton Corbijn, a brilliant photographer and music video director who made his feature-film debut with 2007’s Control, an excellent biopic about late Joy Division frontman Ian Curtis (check out my review here). That movie was incredible, and showcased Corbijn’s considerable filmmaking talents, so him tackling an intriguing movie like The American, especially with an actor as great as Clooney in the lead, adds up to one movie I am very much looking forward to seeing.



previous post

Labels: , , ,

 
Friday, April 30, 2010
  First look at Thor, news on Anchorman 2

Hey! It’s the first picture of Chris Hemsworth as Thor! I’m totally psyched for this movie like you couldn’t believe. I’ve had a soft spot for the character of Thor for a long time (Norse mythology + superheroes = awesome), and while this is easily Marvel’s riskiest movie yet (see the above equation), it’s also easily the Marvel movie I’m the most excited about. I like Hemsworth a lot from what I’ve seen him in, and he looks sufficiently Thor-like in this shot. (Though I assume he wears his little helmet at some point; if he doesn’t, I will be upset.)

Click on over to Yahoo! Movies to have a look at the full-sized pic. Thor is slated to hit theaters a year from now, in May 2011.

* * *

In significantly less awesome news (though I guess a photo doesn’t really constitute “news,” but I’m digressing), director Adam McKay said on Twitter that Paramount “basically” turned down Anchorman 2. You’d think that when the stars align (i.e. agree to cut their salaries) to make a sequel to probably the best comedy in a decade, any studio would happily open the till to make it happen, but that shows how little I understand Hollywood.

I suppose the possibility exists that another studio could swoop in and agree to finance Anchorman 2 (or maybe not, Paramount may have exclusive rights), but it’s a bummer that apparent lack of studio interest seems to have scuttled the project. The first Anchorman was a pretty big hit, and Paul Rudd, Steve Carell and Christina Applegate had all agreed to return alongside Will Ferrell, but it looks like now that won’t happen.

McKay’s and Ferrell’s latest project (along with Mark Wahlberg, an incredibly underrated comic actor), the action-movie spoof The Other Guys, hits theaters August 6. It looks great. Here’s the trailer.





previous post

Labels: , , ,

 
Thursday, April 15, 2010
  Joss Whedon to direct The Avengers
Great news for comic nerds this week: Buffy the Vampire Slayer creator and geek-TV icon Joss Whedon is in final negotiations to direct The Avengers for Marvel Stuidios. It sounds like it’s not completely official at the time of this writing, but as a fan of Buffy (never could get into the spin-off, Angel) and Whedon’s short-lived sci-fi series Firefly and the movie it eventually spawned, Serenity, I think this is wonderful news. As much as he’s being looked at as a director (and he’s pretty good behind the camera, having helmed Serenity and many of the best episodes of his TV shows), it’s his skills as a screenwriter that have me excited. Whether it’s official or not, it’s hard to believe Marvel would be talking this seriously with a guy like Whedon, known more for knack for characters and dialogue than his filmmaking chops, if they weren’t open to him polishing up the Avengers script as well.

The Avengers, in case you’re unaware, is Marvel’s all-star superhero team, featuring Iron Man, Captain America and Thor, as well as a ton of cool B-list characters like Hawkeye, Giant Man, the Wasp and the Black Widow (played by Scarlett Johansson in this summer’s Iron Man 2). Marvel has been slowly building up to The Avengers since Samuel L. Jackson’s cameo as Nick Fury in the first Iron Man, having signed the main actors in their movies, including Robert Downey Jr., Captain America’s Chris Evans and Thor’s Chris Hemsworth, to multi-picture deals that include The Avengers. A movie featuring Captain America, Iron Man and Thor all together is the stuff of fanboy dreams, and I think Whedon’s an excellent choice to realize that dream on the big screen.

I’ve heard that Marvel likes to let little tidbits like this leak out before anything is official to gauge the fan reaction online (no idea how true it is, but I read somewhere that the Captain America job was basically John Krasinski’s until the studio saw the overwhelmingly negative reaction to the news on the web), but given Whedon’s cred with the geek crowd, I suspect that won’t be an issue here. Whedon has one of the most devoted online fanbases; based purely on Google search results, you’d think both Firefly and Serenity were far more popular than the show’s brief life and the film’s relatively anemic box office take would suggest.

My only concern – and it’s a minor one – is that the scale of The Avengers dwarfs anything he’s worked on before (think city-destroying superhero fights and alien invasions), but Whedon’s nothing if not a sharp guy, and I assume he realizes The Avengers needs a little bit of a Roland Emmerich (2012, Independence Day) vibe. But I had similar concerns going into Serenity – would it just look like a two-hour Firefly episode, or would it actually feel like a movie? – but he put those to rest right quick, showing an ability to handle actions sequences that far more complicated and kinetic than anything he attempted on any of his shows, and the film had a scale to it that was only hinted at in the TV series. I definitely think Whedon’s got it in him to step up his game on a project as big as The Avengers.

Most importantly (to me at least) Whedon is the first filmmaker hired for a Marvel project who is actually a comic book fan. He’s written for Marvel Comics in the past – he has an excellent 24-issue run on Astonishing X-Men that’s a pretty solid entry point for newcomers to the X-Men or superhero comics in general, and another book he spent time writing, Runaways (about a group of teenagers who realize their parents are all supervillans) is also headed for the screen soon. More than Iron Man’s Jon Favreau or Thor’s Kenneth Branagh or Captain America’s Joe Johnston, he understands the dynamics of superhero stories, specifically superhero team stories; anyone who’s seen Buffy, Angel or Firefly knows of his knack for witty team dialogue and relationships.

The Avengers is expected to begin shooting some time in early 2011. You can bet your sweet can I’ll be following the news on this one closely.


previous post

Labels: , , ,

 
Friday, April 9, 2010
  Blu-ray Review: The Lord of the Rings - The Motion Picture Trilogy
THE MOVIE

Last week I got to review John Woo’s The Killer, and now I’m reviewing The Lord of the Rings: The Motion Picture Trilogy on Blu-ray. Talk about a great run for the Captivate movie blog (and me in particular).

First things first: the versions of The Lord of the Rings movies included in this set are the shorter theatrical versions, not the Extended Edition versions (which I assume are coming to Blu-ray some time relatively soon) which I, and many other fans, prefer. But still – it’s The Lord of the Rings in high-definition! And it looks fantastic on Blu-ray. But aside from looking extra-sharp, there’s nothing on these discs that wasn’t included in the previous standard-definition releases.

Now, I’m a pretty serious fan of The Lord of the Rings movies, but in my travels I’ve found that I’m something of a curiosity; I grew up reading fantasy novels of questionable quality and playing Dungeons & Dragons, so I have a real nostalgic connection to all things fantasy-related, but I never got around to reading The Lord of the Rings, the novels that pretty much birthed the fantasy genre as we know it, until right before the movies came out. And I was pretty underwhelmed, to be honest, their indisputable historical importance aside. So my love of Middle Earth is essentially purely a cinematic one, as opposed to many diehard fans of the movies, who are also huge fans of the books. And like any self-respecting movie geek, I always try to seek out director’s cuts and extended versions of things, as I usually (but not always; I’m looking at you, Donnie Darko: The Director’s Cut) prefer them. So as much as I’ve watched Peter Jackson’s adaptation of the classic J.R.R. Tolkien fantasy novels over the years (and I’ve watched them many, many times), it’s pretty much always the Extended Edition DVDs. In fact, it’s been so long since I’ve watched the shorter theatrical cuts of the Lord of the Rings movies that watching them again for this review was like seeing them again for the first time. Also a factor: because I am insane and tend to have a lot of free time, I often watch The Lord of the Rings Extended DVDs in a 12-hour marathon, which is actually a fairly serious undertaking I usually reserve fo
r long weekends. So it’s actually been quite some time since I just watched The Fellowship of the Ring as a stand-alone movie. (Hey, turns out t’s awesome.)

Given that these movies are almost a decade old now and they’re among the most popular in recent memory, I won’t spend time reviewing the movies themselves (it’s almost guaranteed you’ve seen them and have an opinion of them). But watching these films again, I was reminded of just how much of a sucker for them I am. I’m not sure what it is exactly, but even the hokiest, borderline-goofiest aspects of these movies, from the earnest emotion on display throughout the trilogy to the multiple endings of The Return of the King, I just buy what Peter Jackson and company are selling every time I watch them. There aren’t too many movies I can say that about.

I was initially a little skeptical about revisiting the theatrical versions on Blu-ray, as I’m so used to the Extended versions by now. I’m in love with a lot of the little details in th
e longer versions (the showdown between Gandalf and the Witch King in the extended version of The Return of the King is one of my favorite moments in the entire trilogy) and I’ve seen them so many times that expected to sort of miss them, but honestly, with a couple of minor exceptions (I found the extra stuff in The Return of the King the most conspicuously absent), I could barely tell. And as much as I prefer the Extended versions, the theatrical cuts of these movies are all brilliant as well, and I appreciated how lean they are in terms of storytelling.

I, like many other fans of these films, am still waiting for the Extended Edition versions of the films to hit Blu-ray, but for the meantime this set is pretty fantastic. The Extended Blu-rays will, for me and many others, automatically become one of the prizes in my personal movie library, and until that set is released, this collection will do wonderfully.

GRADE: A

THE EXTRAS

The extras are literally just the bonus-feature discs from the original theatrical-cut Lord of the Rings DVDs. They’re standard DVD discs (as opposed to Blu-rays) and the second disc case in the set just houses the digital copies of the movies.

It’s been a while since I’ve watched this stuff – since the release of the Extended Edition DVDs, I’ve basically just watched those every time I get a hankering to revisit Middle Earth – and the even more in-depth features on the Extended discs (still among the best and most comprehensive bonus features I’ve ever seen on any DVD or Blu-ray) made me realize how relatively spare the extras on these discs are. They’re not bad (actually by most DVD standards they’re pretty excellent), but the Fellowship bonus disc, for example, has a couple of TV specials created to hype the movie on its initial release, some features from the movie’s website, and trailers. The Extended extras are still among the most comprehensive (and the best) making-of documentaries I’ve ever seen, and these extras don’t hold a candle to those. But overall these are fantastic films to have on Blu-ray, and until the Extended Editions hit high-def, this is the way to experience The Lord of the Rings.

previous post

Labels: ,

 
Friday, March 26, 2010
  HOLY ****!: Scott Pilgrim vs. The World trailer
There's a movie coming out this summer that I've been quietly awaiting a trailer for, and that's Scott Pilgrim vs. The World. There's a number of factors that has this near the top of my Must-See List, among them the fact that it's the third film from director Edgar Wright, who helmed the too-brilliant-for-words Shaun of the Dead and Hot Fuzz (see both immediately if you haven't already), it's based on the incredible graphic novel series by Bryan Lee O'Malley, and it's set in my hometown of Toronto (as is the comic; O'Malley's a Toronto guy as well). It stars Michael Cera as the titular character, a twentysomething dude who falls for the girl of his dreams, the beautiful and mysterious Ramona Flowers, only to learn that in order to win her, he must first defeat her Seven Evil Ex-Boyfriends (who include Jason Schwartzman, Chris Evans and Brandon Routh, among others). The trailer just hit the 'net, and it looks amazing.

The Scott Pilgrim comic is just a blast of pure fun, combining martial arts, classic video games and romantic comedy, and it's one of the best comics being published today (the sixth and final volume, Scott Pilgrim's Finest Hour, is due in stores in July). From the look of this trailer, Wright and crew have totally nailed the tone of the books, which, on the surface, seems like it would be difficult to adapt into a movie. I've been on the fence about Cera's involvement – the character of Scott Pilgrim, a loud, outgoing, fun-loving guy, couldn't be further from Cera's usual on-screen persona – and while this trailer doesn't totally put my concerns to rest (he barely speaks in it), the rest of it just confirms that this movie looks like it deserves the excitement that it's generating in many corners of the Internet (including this one).

Scott Pilgrim vs. The World hits theaters on August 13. See it, or you are dead to me.

Check out the Scott Pilgrim trailer here, courtesy of Apple.

previous post

Labels: , ,

 
Thursday, March 18, 2010
  More Captain America casting rumors
I make no secret of my geekiness, and, as I’ve mentioned here numerous times, I’m closely following the production of Marvel Studios’ potential blockbusters set for next summer, Thor, which is about the Norse god of thunder exiled on modern-day Earth, and The First Avenger: Captain America, which is about, well Captain America, and is largely set during World War II (it also apparently ties into Iron Man 2 via Tony Stark’s father, in addition to leading into the planned Avengers movie). I like both characters, and I’m really excited about seeing Thor, Captain America and Iron Man all crossing over in the same movie universe; this is the sort of thing comic book fans have been dreaming about for decades.

On paper, Thor is the more difficult sell, as it combines superhero action and a more Lord of the Rings-like fantasy setting, with frost giants and other mystical creatures, which seems like a tricky balance for a superhero flick. Captain America, on the other hand, punches out Nazis in the Second World War and is frozen in a block of ice until he’s thawed out in the modern day by Nick Fury (Samuel L. Jackson, introduced in the post-credits scene in Iron Man), which sounds like a relatively easy film to pull off, at least compared to a movie that has to somehow fuse the more real-world vibe of Iron Man with a story, quite literally, of gods and monsters. But somehow Thor is the production that seems to be humming along nicely with a solid team of people behind it (it’s directed by Kenneth Branagh, stars relative unknown Chris Hemsworth as Thor and co-stars Natalie Portman, Anthony Hopkins, Rene Russo, Stellan Skarsgård, Ray Stevenson and Idris Elba), while Captain America seems to be rife with problems: the film starts shooting in June and Marvel is still searching for its lead actor (though casting Hugo Weaving, who’s in final talks to play the evil Red Skull, is brilliant), and director Joe Johsnston, who last helmed the flop The Wolfman (though he came onto that film with a couple of weeks to go before shooting, so he can hardly be held responsible for its performance, and it’s actually quite a good movie), has reportedly been butting heads with Marvel over the casting and the budget, and I’ve heard rumblings that the Captain America script is fairly underwhelming.

A few weeks back I mentioned a list of actors Marvel was bringing in for screen tests, which included Jon Krasinski of The Office (a choice that, as much as I railed against it initially, I have to admit is growing on me a little bit). At the time it was believed that the casting of Cap would be finalized any day, but here we are weeks later and all we know is that there are even more actors apparently being considered for the role, the latest being Ryan Phillipe, Chris Evans and Dear John’s Channing Tatum. Given the parade of actors gunning to fill the Star-Spangled Avenger’s tights, as well as my interest in all things Marvel-related, I thought I’d give my thoughts on some of the actors rumored to be up for Cap.

Channing Tatum. This guy is one of the new additions to the list of OHPLEASENOpeople Marvel has apparently approached, and I hate it. Tatum, who I keep hearing is actually a very good actor, has sucked in the stuff I’ve seen him in. He was the dead weight in the otherwise fun G.I. Joe, and given how similar the characters of Duke and Cap are (charismatic soldier and leader of men), I really don’t need to see the Marvel movie universe sullied by a Captain Marblemouth film. I get that someone up high has decided that Tatum will be a star, I just want him to do it as far away from Marvel Studios as possible.

Ryan Phillippe. He seems too physically small to play Captain America (who’s usually portrayed as a tall, beefy guy) but otherwise he has the right look. I have no doubt Phillippe would bulk up for the role, but purely in terms of height his Cap would probably seem tiny, especially next to Hemsworth (who looks massive in everything I’ve seen him in, like A Perfect Getaway and Star Trek), who plays Thor, one of the members, along with Iron Man, of the Avengers. Phillippe also seems a little bland to play a guy who is supposed to be, quite literally, an icon.

Chris Evans. Evans has already been in a Marvel franchise – his Human Torch is the best thing about the utterly the mediocre Fantastic Four movies – and he had powers in the excellent little sci-fi/action film Push (a likely future Under the Radar entry). And despite his good looks, he’s actually a fine actor as well; I thought he was just another pretty face until I saw him in Danny Boyle’s overlooked Sunshine (it’s like Event Horizon, but good), where he actually acts. He’s got the charisma and he looks like a superhero. Of all the actors said to be under consideration, Evans is probably my favorite.

The Supernatural guys. Supernatural co-star Jensen Either one of these guys is fine.Ackles is reportedly one of the contenders, and he certainly looks the part with his square jaw and Aryan good looks. As much as I think he’d do a fine job (he’s pretty great on from what I’ve seen of that show, and he’s also solid in the fun slasher flick My Bloody Valentine 3D), I actually think it’s his co-star, Jared Padalecki, who would make a better Captain America. He’s taller (he’s almost the same size as the hulking Jason in the Friday the 13th remake), and already solidly built, so he’s essentially just a peroxide bottle away from being Steve Rogers.

Jeremy Renner. The Hurt Locker star was reportedly in talks with Marvel for quite some time (sometimes rumored for Cap, sometimes for Hawkeye in The Avengers; it’s speculated the character turns up either in the Thor film or Captain America in a cameo), but word is the low salary Marvel’s offering, coupled with the apparent nine-picture deal required by the studio, turned off the recent Oscar nominee. I think Renner would probably make a better Hawkeye (the character is traditionally portrayed as a cocky smart-ass, which is right up Renner’s alley), but you could do a lot worse than having an Academy Award nominee and star of the recent Oscar darling playing Captain America. If it were up to me I’d pay Renner what he wants and give him the shield and get to it.

Garett Hedlund. The star of the upcoming Tron Legacy is apparently Marvel's apparent favoriteone of Marvel’s top choices for Captain America, but once again, he’s said to have balked at the studio’s low fee. His name’s still in the mix up though, and between the positive buzz Tron Legacy is building up online (and not just from yours truly) and the fact that he’s still in this discussion, it sounds like Marvel may try to meet Hedlund halfway. I dig the actor’s work (he’s great in Friday Night Lights and is solid enough in the underwhelming Troy), and again, he certainly has the right look. I think he’d make a pretty fantastic Captain America.

Ryan McPartlin. I’ve never seen Chuck, or McPartlin in anything else. All I’ve seen on the Internet are a lot of pictures of this guy with his shirt off, and he’s certainly blond, handsome and ripped. Who knows if he can act, but if I wanted a picture of a guy dressed as Captain America, I’m sure he’d be great.

Jon Krasinski. So a few weeks ago I went on about how I just couldn’t see Jim Captain Jim?from The Office as Captain America. Despite conflicting rumors that Krasinski has the inside track and that he’s all but out of the running entirely, he’s been stuck in my brain ever since I first heard his name come up. He sort of has a 1940s look to him, and he’s tall enough that he’s in no danger of being dwarfed by Robert Downey Jr. when standing with the rest of the Avengers. I’m still not sure he has the gravitas to be Captain America, but I’m slowly warming to the idea of Krasinski in the role, even if he’s starting to look like a longshot.

Mike Vogel. The fact that this guy is still being mentioned as a contender despite being something of a nonentity (I’ve seen both the Texas Chainsaw Massacre remake and Cloverfield, and I have literally no memory of Vogel in either of them, which does not bode well for him) suggests to me that he’s Marvel’s Plan B, C or D. I guess if he shaves his permanent 5 o’clock shadow he may look the part, but he seems to lack the onscreen presence to pull off a character as important as Captain America.

Dane Cook. This one, is probably nonsense (or maybe that’s just wishful thinking on my part). The only guy rumored to be in talks (the “rumor” seems to be generated by Cook’s own Twitter feed, so take it with the requisite amount of salt) that will make me, a dyed-in-the-wool Marvel geek, not go see a Captain America movie. I can think of few people worse for this role, and I don’t want to dignify the concept of Dane Cook playing Captain America any more than I already have, so I’ll just stop writing now, lest I get too worked up and give myself a stroke.

previous post

Labels: , , ,

 
Thursday, March 11, 2010
  Trailers for Iron Man 2, Robin Hood
There’s a pair of new trailers out this week for movies coming this summer (well, I guess it’s spring technically, but May is summer in the world of movies) that I’m particularly excited about. The first is the second trailer for Iron Man 2 (which I’m so stoked about I’m trying not to think about it too much), and, of course, it looks awesome. There’s a bunch of stuff in this new trailer that’s got the Marvel geek in me insanely primed (the suit-in-a-suitcase gag, lifted directly from the classic comics; the apparent promise that Mickey Rourke will don a something closer to a full suit of armor at some point; Downey and Cheadle kicking the crap out of a bunch of robots; I could go on and on), and it’s clear that director Jon Favreau and company responded to the common criticism leveled against the first Iron Man that there wasn’t enough action. The only X-factor for me is Scarlett Johansson as the Black Widow, because the Black Widow is supposed to be Russian, and Johansson is a bad enough actress as it is without trying to handle a Russian accent. But that’s a minor concern considering the amount of robot suits and lasers this movie promises. Iron Man 2 opens on May 2.




Next up is Ridley Scott’s re-teaming with Gladiator star Russell Crowe for a new take on Robin Hood. I’ve been fascinated by medieval stories since I was a little kid, Robin Hood in particular (I loved the Kevin Costner movie when I was 9), and Scott, one of my favorite filmmakers, already made an excellent (and underrated) movie set in the period in 2005’s Kingdom of Heaven (it’s a really great Middle Ages epic, or at least the Director’s Cut is; I never saw the terribly-reviewed theatrical cut). As much as I was pretty lukewarm on the idea of another Robin Hood movie when I first heard about the project (particularly Scott’s and Crowe’s involvement; it felt like they were revisiting Gladiator territory), and I was so-so with the first teaser, this new full-length trailer finally grabbed my interest. It looks more epic than I expected a Robin Hood film to, and Cate Blanchett (probably the best actress working today) classing up the joint as Maid Marian certainly helps matters. Robin Hood hits theatres May 14.





previous post

Labels: , ,

 
Thursday, March 4, 2010
  Tron's legacy
I don't think there's a movie coming out in 2010 that I'm more looking forward to than Tron: Legacy, which, considering Iron Man 2 is also due this year, is quite a statement. I still sort of can't believe that Disney made a sequel to Tron almost 30 years after the original (which, while not a flop, was hardly a blockbuster in its day), and everything I see for it, from images to the teaser released last year just reinforce how damn cool it looks. Commercial director Joseph Kosinski's making his feature film debut with Tron: Legacy, and if his commercial reel is any indication (he did some awesome ads for the Gears of War games), his movie will, if nothing else, look great. And really, for a Tron film, that's pretty much all that matters.

Rather encouragingly, it looks as if Disney is going all out with its reinvigorated Tron franchise, as there's talk of a potential trilogy, similar to Pirates of the Caribbean, and Disney has already confirmed a 10-part Tron "micro-series" on its Disney XD cable channel, which they hope to spin into a regular animated series, presumably to keep the brand going between film sequels (this, of course, could all go out the window if Legacy flops). As an old-school Tron fan, I'm very excited about this news, though not excited enough to go see the abysmal-looking Alice In Wonderland just to see the new Tron: Legacy trailer. But when this thing comes out in December, I'll be lining up for the first IMAX 3D screening. Lightcycles ahoy!

previous post

Labels: , ,

 
Thursday, February 25, 2010
  Captain America casting talk
I’ve covered the development of the new Spider-Man movie here recently, and touched on the Thor movie due next summer from Marvel. But there’s another huge superhero movie coming from Marvel in summer 2011, and that’s The First Avenger: Captain America. The movie starts preproduction March 1 in London, and director Joe Johnston has said he wanted to have his lead in place by then. Given that it’s late February, there’s been a surge in casting news, with a leaked list of the final candidates Marvel’s looking at to play the Star-Spangled Avenger. It’s . . . weird.

The most well-known name on the list (Marvel and Johnston apparently are looking for a lesser-known lead to surround with more recognizable faces in supporting roles, similar to Thor) is probably John Krasinski of The Office. Also on the list is Chace Crawford from Gossip Girl, Garrett Hedlund from the upcoming Tron Legacy, Scott Porter from Friday Night Lights, Mike Vogel from Cloverfield, Patrick Flueger from Brothers and Michael Cassidy from TV’s Privileged.

For whatever my opinion is worth, most of these choices seem bland (a big chunk of these actors are on shows I don't watch, like Gossip Girl and Friday Night Lights, so I can’t judge them on much beyond their looks, and I didn’t even know there was a show called Privileged), and one is downright bizarre (Jim from The Office as Cap? WTF?). Now, I really like Krasinski; I’m a fan of The Office and I loved his work in the wonderful Away We Go, but he simply doesn’t have the dramatic heft and seriousness needed to play Captain America, the quintessential leader of men. There are other roles in Marvel’s movie universe I think Krasinski would work quite well in (he would make a great Dr. Henry Pym in The Avengers, a brilliant but troubled scientist who creates a serum that allows him to grow into the Godzilla-sized Giant Man), but I just can’t see him as Captain America. Who knows, the comic community lost its collective mind when Tim Burton cast Michael Keaton as Batman in the late ‘80s, and he’s still, for my money, the best Batman we’ve had in the movies, so if Krasinski does indeed get the nod to wear Cap’s red, white and blue tights, maybe he’ll prove everyone wrong like Keaton did in 1989.

The Captain America movie will apparently be mostly a period piece set during the Second World War (which I’m personally not a fan of, but I get the importance of that era to establish the character). I recently saw Johnston’s update of The Wolfman, and it’s a fun, violent monster movie, the kind they don’t make anymore. Johnston’s a very talented filmmaker, and I look forward to seeing what he does with a character like Captain America, and what that film will mean to Marvel’s movie universe.

But . . . Jim? Really?


previous post

Labels: , ,

 
Wednesday, January 20, 2010
  Sony hires new Spider-Man director
It’s official: Sony has hired Marc Webb to direct the new Spider-Man movie. Webb, who helmed last summer’s indie romantic comedy hit, (500) Days of Summer (which I haven’t seen, but I’ve heard both good and bad things about it), is apparently the hot director in Hollywood right now, and will reboot the franchise, moving the setting back to high school and focusing on the adolescent problems of Peter Parker, complete with a love quadrangle (with bully Flash Thompson, Mary Jane Watson and Gwen Stacy, played by Bryce Dallas Howard in Spider-Man 3).

The new Spider-Man films will be based more on the Ultimate Spider-Man series of comics launched in the 1990s, which similarly revamped the story for a more modern audience, as opposed to previous Spider-Man director Sam Raimi’s movies, which were inspired by the original Spidey books from the 1960s. The Ultimate version focuses more on teen angst than action, and the budget for the new film (around $80 million, which is actually pretty small for a modern superhero movie; Spider-Man 3 is said to have cost anywhere from $200 million to $300 million) seems to reflect that. It’s also assumed that unknown actors will be cast in the main roles.

Now, I hate to be that guy, but I have to be. This sounds like a terrible idea. It sounds like Sony’s chasing the Twilight/teen romance trend. And while I can appreciate the studio wanting to lower the budget in these tougher economic times, it’s hard to take this news as anything other than a step downwards for the Spider-Man cinematic franchise. I’m not even a huge fan of Spider-Man (the movies or the comics), but this is very disappointing news.

None of this is a knock against Webb; even the negative things I’ve heard about (500) Days of Summer acknowledge Webb’s visual talents, so I’m not worried that the movie will look bad. I just feel, as a fan of superheroes and superhero movies, that the genre, in film, is just starting to get to some interesting places, and I think Spider-Man (basically the mascot of Marvel Comics, the way Superman and Batman are at DC) deserves better than to be subjected to the Twilight treatment.

My negativity aside, I’m not going to pretend I won’t be following the development of this project closely. I’m trying to keep an open mind; I don’t want a crappy Spider-Man movie, but right now I’m not sure I can see how this new film will come close to the great, genre-defining movies Raimi crafted.

previous post

Labels: , , ,

 
Tuesday, January 12, 2010
  Spider-Man 4 revamp proves I don't actually know anything
I discussed in this space a few days ago the rift between Sony Pictures and director Sam Raimi over the direction (i.e. the villains) in the fourth Spider-Man movie; Raimi, a fan of vintage Spider-Man comics, was pushing for the classic baddie the Vulture, while Sony, I guess terrified of the prospect of trying to market a superhero blockbuster co-starring a middle-aged bald guy in a green vulture-suit, wanted anyone but him to be the villain. I concluded that the notion of Sony moving ahead with a fourth Spider-Man movie without Raimi (who seemed to be returning mostly to make up for the disappointing Spider-Man 3) was a longshot. After all, Raimi made the first three movies, has more invested in the character and world than any other director of a superhero franchise I can think of, and is a major reason for the series’ success.

Shows what I know.

The news is now that Sony and Raimi are parting ways – apparently amicably – and the studio has bumped the targeted release of Spider-Man 4 one year to summer 2012, and is planning to revamp the franchise with a new director and a new cast. (There was actually a rumor around the time Spider-Man 3 was nearing production, when Tobey Maguire wasn’t getting into shape fast enough after injuring his back making Seabiscuit, that Jake Gyllenhaal may get called in as a last-second replacement.) As much as I didn’t think it would come to this, I’m sort of glad it’s working out this way. As much as I didn’t care for Spider-Man 3 myself and would have liked to see Raimi leave the series on a higher note, I have nothing but respect for him as a filmmaker and I think he should move on to something else (they guy’s spent the better part of a decade basically living in the Spider-Man cinematic universe; I’m sure he’d like to do other things). And I dig Tobey Maguire in the lead, but I’ve always hated Kirsten Dunst’s Mary Jane (she is hideous and unlikeable), so I won’t miss her. And Maguire is 34, so he may be getting a little long in the tooth to play the wall-crawler. I think a new cast could be a really great.

My only concern at this point is that if this is a sort of “reboot” to the series, we’ll have to sit through another origin story. I am so sick of origin stories. I love superheroes, but I’m so tired of every superhero movie/franchise starting with an origin story, where viewers has to spend an hour or more watching events line up so the protagonist can become the character we paid our money to see. Spider-Man has as compelling an origin as any other superhero, and Raimi did an excellent job adapting it to the screen in the first movie; what I’m afraid of is the studio and/or the new director will feel the need to put their own stamp on it, and we’ll have to sit through another 55 minutes of Peter Parker getting bullied and not talking to girls and getting bitten by enhanced spiders and learning to use his powers. I’ve seen that already. With any luck, this “new” Spider-Man 4 will do what I’ve been waiting years to see in a superhero film; start the story with the character already established in the world, and just go from there. Audiences aren’t so stupid that they need to be reminded who Spider-Man is just because there’s a new actor in the blue and red tights. But everything in the story I linked to suggests that we’re going to get exactly that.


***

In related news, they started shooting the Thor movie this month. Thor is a character I didn’t really get into until I got older and began to appreciate the awesome madness in combining ancient Norse with a sci-fi design sensibility that artist/co-creator Jack Kirby dreamed up for the character in the 1960s (not to mention the idea of mythological characters in what was up until then a very science-based universe; the classic Marvel books were very much artifacts of the Atomic Age), and ever since then I’ve had a soft spot for the hammer-wielding hero. The idea that they’re shooting a big-budget Hollywood Thor movie– directed by Kenneth Branagh no less! – is a serious trip. I sort of never thought I’d live to see the day, you know?

Thor stars Chris Hemsworth in the title role (I’ve only seen him in a couple of things, like the excellent little thriller A Perfect Getaway – full DVD review coming soon – but I think he will be awesome), alongside Tom Hiddleston as his evil half-brother Loki, Natalie Portman as his human love interest, Jane Foster, as well as Anthony Hopkins as Odin, plus Ray Stevenson, Idris Elba, Colm Feore, Stellan Skarsgård and a several other people that I sort of can’t believe are in a Thor movie. Hopefully I’ll have finished picking up the pieces of my mind from the floor in time for the May 6, 2011 release date.

previous post

Labels: , ,

 
Thursday, November 5, 2009
  ...And knowing is half the battle.
I found G.I. Joe: The Rise of Cobra to be one of the more pleasant surprises of this past summer. It’s not going to be in my year-end top 10 list or anything, but it’s a solid popcorn blockbuster that entertained the hell out of my inner 12-year-old. It’s big and dumb enough to be fun, but not so much so that it insults viewers’ intelligence. It’s the sort of movie I tend to enjoy on repeat viewings, so I dutifully picked up the Blu-ray when it came out (I actually appreciated it a bit more the second time, though the film obviously has its flaws; Citizen Kane this ain’t).

That sense of fun carries through to just about the entire cast. Joseph Gordon-Levitt, a great young actor, is clearly having a ball as a scarred scientist who evolves into Cobra Commander (one of the DVD featurettes opens with him in full costume reciting Hamlet with the aid of his plastic Cobra Commander mask), and Dennis Quaid is having the time of his life channeling John Wayne to play General Hawk. I even found Marlon Wayans tolerable, and I usually hate that guy. The only real problem in the cast is, unfortunately, the lead: Channing Tatum, who I’ve been told more than once is actually quite a good actor, is wooden and mush-mouthed as Duke, as if he’s the only one in the cast unaware of what kind of movie he’s meant to be in. Hopefully in the sequels (which are coming, as this thing made some pretty decent coin at the box office), he’ll get with the program. The other guy who deserves a shout-out is Ray Park as Snake Eyes; there isn’t really much “acting” here, as Snake Eyes doesn’t talk, but Park, who will be a geek icon forever and ever after playing Darth Maul in Star Wars: Episode I, is a lot of fun to watch in the fight sequences. Snake Eyes gets a lot of the “wow” moments in the movie, and it was the only real aspect of The Rise of Cobra that turned my nostalgia crank (everyone who grew up with G.I. Joe knows that Snake Eyes is the coolest one; its an immutable rule of G.I. Joe.)

The Rise of Cobra looks pretty sweet on Blu-ray; movies with a lot of fast action and quick edits, I find, tend benefit from high-definition, as the sharper images make it a bit easier to follow all the on-screen motion. (Unfortunately, HD is not as kind to some of G.I. Joe’s frequent green-screen shots; some of the scenes look like they're from a movie made in 1997.) And given that the appeal of this movie is essentially purely visual, that counts for quite a bit.

But as much as I dug The Rise of Cobra, it wasn’t even the best G.I. Joe DVD I bought that day. That honor goes to the animated G.I. Joe: Resolute, which began as a web series of five-minute episodes, assembled here on DVD into an hour-long story. The angle of Resolute is that it’s basically the more grown-up interpretation of G.I. Joe geared more towards the hardcore fans of the cartoon and comic series, who are now, like me, in their 30s. Guns fire real bullets, not lasers, and people – including the Joes – die. It's the version of G.I. Joe that grown-up geeks have been waiting for.

G.I. Joe: Resolute was written by British comic writer Warren Ellis (a personal favorite of mine), and he gives the proceedings a sense of near-future realism he injects into a lot of his comics. Ellis is big on research, regularly drawing inspiration from magazines like Scientific American, and Resolute feels far more like it’s set in the real world than Rise of Cobra in terms of the technology used. Resolute still has a sci-fi edge, but nothing here is as out-there as the wacky stuff seen in the feature film. Ellis is great at writing smart, capable, clever characters, and the dialogue in Resolute run circles around the Rise of Cobra script. And Ellis’ take on Cobra Commander, who manages to be both funny and scary at the same time, is probably the best version of that character I’ve seen in any incarnation of G.I. Joe.

It’s a bit odd that the actual cartoon version of G.I. Joe is more realistic and hard-edged – and just all-around better – than the live-action movie, but there you have it. The world of movies (particularly movies based on a cartoon based on a toy line) can be a strange place.

GRADES

G.I. Joe: The Rise of Cobra: B
G.I. Joe: Resolute: A


previous post

Labels: , ,

 
Friday, October 23, 2009
  District 9 director's latest
I’ve made no secret of my love for District 9, a movie that, the more I think about it, may not just be one of my favorite movies of the year, but possibly of all time (I’ll require some more time and a few more viewings before I can confidently make a declaration on the latter). So naturally I’m incredibly interested in whatever director Neill Blomkamp is planning next.

According to Variety, Blomkamp has inked a deal with independent producer Media Rights Capital for an untitled sci-fi movie due to begin production in the middle of next year. The director seems to be keeping details of the project under wraps for the time being, and while this new film will have a larger budget than District 9’s relatively meager price tag of under $30 million, it’ll still be a somewhat small movie by Hollywood standards (and Blomkamp will have full creative control as well as an ownership stake in the finished film), and that’s apparently suits Blomkamp just fine. From the Variety article:

“MRC is letting me make the film I want to make and that is by far the most important thing here,” Blomkamp said. “The film will hopefully be commercial, but it is very much a singular film, that comes directly from me. District 9 was a bit different. I was learning the process then, under Peter Jackson’s wing. He had control, but was awesome enough to let me make the film I wanted to.”

The only thing that has me more psyched about a new Neill Blomkamp movie is the fact that he’s sticking with science fiction. As much as the craftsmanship on display in District 9 suggests Blomkamp could make a kickass movie in just about any genre he chooses, the prospect him doing a movie set on an alien planet of some kind fills me with nerd-glee. I will most definitely be following this movie as it develops.

***

Switching from one of my beloved genres to another, most North American audiences know Hong Kong cinema legend Yuen Woo-Ping as the fight choreographer from The Matrix, Crouching Tiger, Hidden Dragon and Kill Bill, but serious kung fu fans know he’s a film director in his own right, having helmed cult classics like Jet Li’s Fist of Legend (widely held as Li’s best movie ever), Tai Chi Master and Iron Monkey. He hasn’t directed a film since 1996, which makes news that he’s returning behind the camera for a new film, True Legend, all the more exciting.

Now, I know nothing about True Legend other than its title, its cast (which includes Michelle Yeoh, Jay Chou (who will play Kato in the upcoming Seth Rogen revamp of The Green Hornet), David Carradine in one of his final roles, and a criminally underappreciated Hong Kong martial arts actor named Chieu Man Cheuk. I’ve liked Chieu, who seems to be the lead in True Legend, since I saw him replace Jet Li in the Once Upon A Time In China film series (Li was in the first three and Chieu replaced him in the fourth and fifth movie; Li then returned for the sixth), as well as the wonderfully dark, arty kung fu flick The Blade. I never did understand why Chieu didn’t seem to really break out, as he’s a blast to watch fight. Regardless, he’s all over the trailer for True Legend (he’s the hobo-looking guy), which is below.

I have no idea when True Legend will be released in North America, if at all (it comes out in Hong Kong next year), but with the cast and crew involved, I’d be surprised if Dragon Dynasty doesn’t swoop in and secure the rights. Oh! I almost forgot one of the best parts: True Legend is apparently in 3D. Again, no clue what that will mean for a possible North American release, but the idea of Yuen Woo-Ping directing a 3D kung fu movie is ridiculous and fantastic.

Enjoy the trailer for True Legend, courtesy of the fine folks at
Twitch.




previous post

Labels: , , , ,

 
Thursday, October 1, 2009
  I am getting my ass to Mars in 2012
I've mentioned here before the admiration I have for Pixar, even if many of their movies are a little too kiddie-friendly for my tastes (I love The Incredibles with a passion, but stuff like Cars and Finding Nemo aren't really my cup of tea). They're rightly considered the cream of the animation crop. The cast for their latest project is coming together, and I'm incredibly excited about it for a number of reasons. It's also a pretty significant change of pace for the animation house.

The film is John Carter of Mars, due in 2012, an adapation of the first in a series of novels by TarzaThe legendary Frank Frazetta's iconic take on Cartern creator Edgar Rice Burroughs, and the thing that sets it apart from previous Pixar projects is it will star live actors alongside animated characters (not unlike James Cameron's Avatar). The story follows a Civil War veteran mysteriously warped to a Mars populated by all sorts of bizzare creatures, from red-skinned men and women to four-armed, green-skinned monsters called Tharks. Carter finds that in Mars' thinner atmosphere and lower gravity he has superhuman strength, speed and leaping ability (not unlike the original Superman comics which would debut a few decades after Burroughs' stories), and quickly becomes embroiled in the centuries-long conflict between the red men of Barsoom (the Martians' name for their planet) and the green Tharks, eventually wooing the beautiful red-skinned princess of Mars, Deja Thoris.

One reason I'm so excited about John Carter of Mars is that I've read the first three books in Burroghs' Barsoom series, and they're a blast. Pure, pulpy fun, with swashbuckling adventure, romance, crazy monsters and airship battles. They're quite similiar to Star Wars in the way Burroughs fuses fantasy adventure with science fiction. The story is decidely more grown-up than Pixar's previous movies – the books get quite violent, though I suspect the movie will be toned down at least a bit – but I can't think of a better group of creators to bring the 15-foot-tall Tharks to life than Pixar.


The other, bigger reason I'm so excited about this project is the cast of actors they're lining up, specifically in supporting roles. Taylor Kitsch (still can't get over that name) will star as Carter, and Lynn Collins will play the princess, Dejah Thoris. Both were co-stars in X-Men Origins: Wolverine, Kitsch as Gambit and Collins as Logan's love interest. Neither blew me away in that movie – the only time I've seen either of them in anything – but they weren't bad, so I'm keeping an open mind.

But here's where things get awesome. Previously announced as playing (or, I guess, voicing) some of the Tharks are Willem Dafoe as a green warrior who eventually becomes Carter's closest ally, Dominic West (who was delightful as Jigsaw in Punisher: War Zone and was the lead in The Wire, for my money the best TV show in the history of the medium) as an evil Thark leader, and Samantha Morton as a kind-hearted female Thark.
Just announced are Thomas Hayden Church as another evil Thark leader, Mark Strong (who's excellent in Guy Ritchie's RockNRolla and is the villain in Ritchie's upcoming Sherlock Holmes) as the benevolent leader of the red men, and James Purefoy (TV's Rome and The Philanthropist) as another noble red warrior who helps Carter.

2012 is a long ways off, but I'm a hundred times more excited about John Carter of Mars than I am about Avatar, and that's not a knock on Cameron's movie. Between the solid source material, the top-notch talent behind the camera and what's shaping up to be a crackerjack cast, I'm starting to get angry that I'm going to have to wait two-plus years to see this thing.



previous post

Labels: ,

 
A blog about movies, by a guy who probably watches too many.

Archives
April 2008 / May 2008 / June 2008 / July 2008 / August 2008 / September 2008 / October 2008 / November 2008 / December 2008 / January 2009 / February 2009 / March 2009 / April 2009 / May 2009 / June 2009 / July 2009 / August 2009 / September 2009 / October 2009 / November 2009 / December 2009 / January 2010 / February 2010 / March 2010 / April 2010 / May 2010 / June 2010 / July 2010 /


Powered by Blogger

Subscribe to
Posts [Atom]